23 September 2009
We're just about finished printing Sleight now. The only bit left is the run with colored inks (red and pink, we think). That is only on one page though: the full title page. Emily carved a logo design for Thread Lock Press (and Sleight, as the first production from TLP) in a linoleum block--which means we can put this image in the Vandercook and print it just like letterpress type! I can't wait to see how this turns out.
09 September 2009
Monday was a day of productivity in the Lit House print shop. Emily and I were hard at work on our beloved book project all the cloudy, rainy holiday afternoon. Although our end and cover papers are on backorder, for our text paper we are using a lovely mold-made creamy white German paper that we found in Master Printer Mike Kaylor's personal stores in the print shop and purchased from him. So that was at hand and ready to be printed, as soon as we could cut it down to size: 7.5" x 12". Mike had just had the blade sharpened on his enormous paper guillotine, so he helped us with that. Then we moved the poem type (which had already been set over the last few weeks) to the beautiful Vandercook press that we would be using for printing. We managed to run off all three poems in their batches of 50, except when I got home, I discovered to my disappointment that even though I thought we had thoroughly proofed them, the 50 sheets of "Jack" still managed two delinquent letters: a "d" instead of a "b" and an "n" instead of a "u". I guess I let my excitement get me carried away. Oops. So now we have to print those 50 all over again, and the faulty pages will have to be put to use somehow--we can't just waste that good paper. But we still made some progress. We finished printing both "Childling King" and "Queen of Clover" with only a slight punctuation error (a semicolon in place of a colon, but that's not enough to matter, really--this perfectionist is still satisfied with that run).
Here's Mike at the massive paper-cutter (that he bought on eBay for only $20! He just had to move it himself):
A poem in the Vandercook and the ink rollers good and blackened with our ink:
Two proof pages (we decided to print the correlative card-suit symbols in the place of page numbers in the bottom left corners):
And here's Emily taking her turn cranking the press:
A printer's hands at the end of a good day:
02 September 2009
All three poems have been set now. So we shift focus to what they will be printed on (I tried this sentence without ending in a preposition and it just didn't work for me--so excuse the grammatical error). For the text paper, Emily and I searched the bowels of the print shop at the Literary House (Mike always some great extras laying around). We decided on a creamy white handmade paper with soft deckled edges. For the cover and end papers we went to Paper Mojo. They have some absolutely beautiful paper! After ordering some samples and having a look at them in person, we decided on the Mauve Unryu Thread paper for the end papers (figuring that the delicate translucent quality of the paper goes well with our "sleight" theme and the reddish threading follows our color scheme) and the Ivory Linen Cardstock for the cover paper. We will be printing on the covers with a deep red ink (similar to our thread color). Now we are just waiting for our backordered paper picks to arrive.