When I came up with the name Thread Lock Press, I must admit that I did not have all of these connotations in mind. I liked the sound of it for what it was I was doing. It began with a brief fairy-tale-based chapbook of three poems with accompanying watercolor paintings by my friend Emily. But now that I've had time to live inside it for a while and grow, I find that it is even more well-suited to what I'm becoming in my work. In the past couple years, my interests in writing poetry, letterpress printing, and experiments in sewing by hand have all been tugging at me for fuller attention. Poetry and the writing of it will always be my primary concern, and what time is left is divided between the latter two. But gathered under this name, I see how they can all fit together. The making of books, from start to finish, involves equal parts printing, and sewing. There is the writing/creating of the text; the designing, setting, and printing of the text; and then the binding of th
