Special guest star

This is just a quick note to say that today I am appearing as a guest-blogger on my friend Annie's Scribbling Glue. Have a look and check out her past posts on the joys of letter-writing!

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"Imago" on Hannibal season finale

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While watching the eagerly-awaited season 2 finale of Hannibal (one of my absolute favorite TV shows of the moment), I was happily surprised when a vocabulary lesson emerged mid-conversation between Hannibal Lecter and Will Graham. — "Do you know what an imago is, Will?" — "It's a flying insect." — "It's the last stage of a transformation." — "When you become who you will be?" — "It's also a term from the dead religion of psychoanalysis. An imago is an image of a loved one, buried in the unconscious, carried with us all our lives." — "An ideal." — "The concept of an ideal." Of course this term, in both of its definitions, has some great significance for me. It is a word I didn't even know until I stumbled across it in my dictionary browsing and knew immediately that this is the title of my chapbook . It was perfect. So when it snuck up on me again in my favorite TV show, in
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There are birds here

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We are now in the full porch-swing of summer, which means Summer Poetry Salons at my beloved Lit House. In celebration of the second salon of the summer on June 24 (tomorrow!), I was given the unbelievably fun task of designing and printing a letterpress broadside for Jamaal May's poem "There Are Birds Here,"  a love song for Detroit. As much I loved this poem on my first reading (and second and third), it was a particularly difficult design challenge. Don't get me wrong — there are so many ways  to illustrate this poem because it is so packed with images. But to illustrate it in a way that actually adds to the text, that builds on the complex foundation set down by the poet — that is the challenge to be met. That is the challenge we always aim to meet at the Literary House Press .   So that means no birds and no buildings. For me, those are the two most obvious, but least important images in this poem. Those details are just the shell around the actual poem
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Gone Paper-pickin'

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All three poems have been set now. So we shift focus to what they will be printed on (I tried this sentence without ending in a preposition and it just didn't work for me--so excuse the grammatical error). For the text paper, Emily and I searched the bowels of the print shop at the Literary House (Mike always some great extras laying around). We decided on a creamy white handmade paper with soft deckled edges. For the cover and end papers we went to Paper Mojo . They have some absolutely beautiful paper! After ordering some samples and having a look at them in person, we decided on the Mauve Unryu Thread paper for the end papers (figuring that the delicate translucent quality of the paper goes well with our "sleight" theme and the reddish threading follows our color scheme) and the Ivory Linen Cardstock for the cover paper. We will be printing on the covers with a deep red ink (similar to our thread color). Now we are just waiting for our backordered paper pick
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